James is actually releasing a new album under the moniker Aphex Twin: Syro.
A Backup for Millions You wouldn’t have expected it, but 13 years after Drukqs Richard D. Many thanks to PSN for these scans, hopefully semi adequate German to English translation done by me using online translation tools. “This may have be my last interview.” He remains silent for Continue reading “Aphex Twin, Opscene Magazine (December 1996)” Posted by hyperflake 28th May 2022 Posted in Interview Tags: "tapes are a diary", 1996, AFX, Andrea Parker, antisocial neighbours, Aphex Twin, µ-Ziq, Blech, breakbeat music, Brian Wilson, classical music, Contrazoom, Dadism, eccentric, Expert Knob Twiddlers, Goon Gumpas, Icct Hedral, Icct Hedral (Philip Glass Orchestration), insurance advert music, Jungle, kitchen utensils, last interview (nah!), Luke Vibert, Mike Paradinas, Mo Wax, nostalgia, Nutcracker, Opscene Magazine, pale ginger, Philip Glass, Pussyfoot, Rephlex, Richard D James, Richard D James Album, Rimsky Korsakov, Rocking Chair, sampled violin, sandpaper, Selected Ambient Works, Sheherazade, short records, Spacer, Squarepusher, Tchaikovsky, Technics deck, violin, Warp Records Leave a comment on Aphex Twin, Opscene Magazine (December 1996) Aphex Twin, Spex Magazine (October, 2014) Musicians often say the nicest things when the tape recorder is turned off after 45 minutes of pure interview time. Photo © Jan Willem Steenmeijer The Aphex Twin: “My tapes are my diaries.” Strange but true.
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